Saturday, August 4, 2012

How to Thrive at Comic-Con...

...or, Lessons Learned in 2012

This year was my second trip to San Diego for Comic-Con after a five-year absence.  I thought I knew exactly what I needed to do to accomplish exactly what I wanted to accomplish.  But, guess what?  I didn't.  The reason is not that anything major had changed.  And it wasn't because the convention had significantly grown; attendance was 125,000 in 2007 and 130,000 in 2012.  I think it was because many people had been before and were more savvy about how to navigate the ins and outs.

Taking both years into account, as well as some valuable lessons learned this time around, I'd like to share with you not only how to survive at Comic-Con, but also how to thrive.  Continue reading and you will be able to begin planning a successful trip for next year.  Follow these ten steps and you'll be a pro, whether you've attended in the past or not.

1.  Condition yourself.

Comic-con is physically exhausting.  You'll fare better if you build your stamina ahead of time.  I'm not kidding; it's the perfect opportunity to lose a few pounds while you train for the experience.  If you can't be on your feet for at least four hours without aching, you're going to suffer in San Diego.

Start early and take baby steps.  I'd even recommend going to a smaller, local convention and walking the floor to get the feel of it.  Keep in mind that the biggest crowd you face at one of these is a drop in the bucket compared to what you'll face at Comic-Con.


2.  Be prepared.

You've got to think of your physical survival.  Although there are food stands in the convention center, count on not having easy access to food or drink during the times you're there.  Take snacks and a large bottle of water with you.  Warning:  the more you drink, the more you're going to have to go to the bathroom, and that may also be inconvenient.

Bring a small folding chair or stool to use when you're standing in line.  Unless you're actually in the exhibit hall, there's room to spread out and make yourself comfortable while waiting to gain access to a panel or screening.  Chances are you'll be outside some of the time.  Bring a hat and sunscreen.

What kind of bag do you need to carry all of your survival tools?  I thought this year I'd use a messenger bag so that I could gain easy access on very short notice.  But at the end of each day, my shoulder was killing me.  A backpack would have been better.  There are plenty of bags given away at booths to use for quick storage of things you collect on the floor.

Cameras are a must.  Unless you have a tested and true phone, I wouldn't rely on it for the best pictures.  Be sure to pack chargers and extra batteries.  You'll definitely want to recharge everything overnight, but you may also need a quick jolt during the day and outlets are not that hard to find.

3.  Set priorities.
It is physically impossible to do everything you want to do at Comic-Con.  You may not believe me, but what are you going to do when panels for two of your favorite TV shows happen at the exact same time in two different rooms?  You can't be in two places at once, so you have to decide what is more important to you.

And what would you rather take from your Comic-Con experiences: pictures, autographs or just bragging rights that you were in the same room with your favorite movie star?

If it's pictures, you have to be really close to the stage in the panels, which means standing in line incredibly early, if not overnight.  Otherwise, you'll be taking pictures of the screens broadcasting the panels to the back rows.  Try circling the booths on the exhibit floor during autograph signings.  They're usually an hour long and swarming with people at the beginning.  While security will keep you moving, you can usually snap some good ones later in the hour.

If it's autographs, you'll probably need a ticket ahead of time. Very few studios host signings for walk-ups. I wrote an entire article on Downright Creepy about obtaining autographs, but the tip here is to find out ahead of time what is required. Then, check and double-check to see if the qualifications change. Allow at least an hour standing in line, even if you have a ticket. And remember that's an hour you will have to sacrifice attending a panel or doing something else.

If you want only the thrill of being able to say you were in the same room with Robert Downey, Jr., even if it's the 6,500-seat Hall H, you're going to have to stand in line anywhere from one to four hours… at least.  If you don't care where you're sitting, you won't have to wait as long.  But any time you wait will be time sacrificed elsewhere.  I hope you understand now how it's impossible to do everything you want to do.  You must set priorities.

4.  Don't let the lines scare you.
A line that wraps upon itself through several tents, then crosses the street, then snakes down the sidewalk before doubling back upon itself along the bay can be rather daunting. But consider the time of day. If it's before 9:30, the convention hasn't even opened yet and you're probably going to get in to Hall H that morning. 6,500 people is a lot. If everyone is spread out with their chairs like I recommended, they're going to take up more space than you'd think.

On the other hand, if the convention is in full swing, you may not gain access to Hall H until people filter out of early panels.  That is why if there's a specific panel you absolutely must see, you should get in line one or two panels ahead of it.  People are not required to clear the room between panels and while some camp out all day, others really do leave after they've seen the one they want to see.

Ballroom C is also problematic.  It's not as big and the lines aren't quite as long.  But I stood in line two and a half hours to get into the 3:30 Vampire Diaries panel.  Study the schedule and try to anticipate interest.  Before Vampire Diaries were panels for Fox's Animation Domination block of shows.  I had a feeling there was a different audience for it and Vampires.  I was right.  I entered at the end of American Dad and was able to move closer to the stage when it ended and people cleared.

Other rooms are not nearly as crowded.  And, sad to say, if it's a smaller panel actually dealing with comic books, magazines or books, you can probably walk right in.

5.  Consider your entertainment options.
So, what are you going to do while standing or sitting in line for three hours?  I'd recommend bringing an iPad or Kindle.  They're less bulky and heavy than books and magazines, plus they give you more options than just reading.  Warning:  with electronic devices, you run into issues of batteries and charging.  Refer to Step #2.

You may not need as much entertainment as you think, though.  The Comic-Con crowd is very friendly, so you'll have conversations and discussions.  Plus, there's a constant parade of colorful characters walking by.  Don't be shy!  Take advantage of the opportunity to meet new people, many of whom probably share some of your interests.

Do not count on consistent internet access.  Wireless is supposedly available in certain areas (and hotels), but it's so overloaded, it's virtually nonexistent.  Depending on your mobile device vendor, you may or may not have availability of texts (or even phone calls).  I had better luck in the mornings, but almost none later in the day.

6.  Plan ahead.
It's not silly to suggest you map a plan of attack for the 460,000 sq. ft. exhibit hall.  If you think you'll just start at one end and leisurely stroll to the other, enjoying all the sights, you will be disappointed and simply not have enough time to do it.  I tried it, and at as quick a pace as the crowd allowed, it took me nearly six hours over the course of two days.

Visit the Comic-Con website ahead of time and study the exhibit floor, list of vendors and list of exclusives.  Decide what you want to see and what you want to purchase or collect.  I'd literally print a map and mark the booths you want to visit.  If there's an exclusive that you absolutely must buy, head there first and be prepared to stand in line at least an hour.  Do not wait; they will sell out.

Preview night on Wednesday is not quite as crowded and, surprisingly this year, Friday afternoon wasn't either.  But Saturday?  Forget it!  Be patient.  If you're claustrophobic, stick to the perimeter of the floor; it's not quite as crowded.  There are no fast lanes anywhere, but the fastest way to get from point A to point B is via the outer edges.

7.  Be alert.
At all times, be alert of what's going on around you.  On preview night, I passed Atticus Shaffer (Brick from The Middle) on the exhibit floor.  In line for Comic-Con souvenir t-shirts (there's a line for everything), I watched John Landis visit a booth across the aisle.  Brent Spiner (Data from Star Trek: The Next Generation) complimented me on the Peter Cushing bust I bought and was carrying with me.  And, Stephen R. McQueen (Jeremy from The Vampire Diaries) stopped for a picture when we passed in the aisle.

Also be sure of the scheduled times for various events.  It doesn't hurt to double check.  An update to the schedule is published each morning and is available before entering the exhibit floor.  More importantly, know how long it is going to take you to get around; then, allow just a little more time to get there.


8.  Keep an open mind.
You may discover something new at Comic-Con that you never thought you'd like. Before a screening I really wanted to see, I sat through the Teenage Mutant Ninja Turtles panel. I've never been a TMNT fan, but the new animated series looked amazing! I became quite interested in what the panel had to say about it. And, although I never expected it, I got to see Sean Astin and snap a pretty good picture.

If there's any down time (ha, ha), seek out at least one of the smaller panels that you can walk right into.  Expand your horizons and learn something new.

9.  Consider your departure.
How are you going to get everything home?  Hopefully, you didn't pick up everything that was shoved in your face; you have no obligation to do so.  But it's likely your booty will take more space than your suitcase allows.

Unless you brought a second suitcase, there is a Fed Ex store inside the convention center, right outside the exhibit hall doors.  Plan ahead, though; lines on Sunday are discouraging.  Pick up a box and a roll of tape the day before, then pack it and check it as one of your bags when you fly home.  You'll likely pick up a poster tube at one of the booths, so you can carry-on your posters.

10.  Enjoy yourself.
Most importantly, just have a good time!  Don't complain; you've been warned about what you're getting into.  If it sounds like you're not going to like it, don't go. 

Enjoy the enthusiasm of those participating in cosplay.  Have a laugh with the overweight superheroes and male slave Leia's, but truly admire the craftsmanship of most everyone else.  Ask to take pictures.  Most people will love to pose for you.  Be careful, though, it's sometimes hard to tell who's in costume and who's not, especially when uniforms are involved.

Be vigilant.  At some point you will lose track of day and time.  By the end, you may not care about much of anything.  But remember why you came.  Remember that not everyone who wanted to go could get tickets.  You are lucky and you may not ever do it again.  Dig deep, find that energy and plow through to the end.

With all the warnings I've issued, is it possible to enjoy Comic-Con?  Absolutely!  It never ceases to amaze me that with all these people together in one place, there is something for everyone, regardless of the subject matter.  There is bound to be someone in the crowd who will recognize the most obscure reference to your favorite comic book, movie or TV show.  You can truly be yourself; no one will look down on you.  Celebrate and let your geek flag fly!

Sunday, July 22, 2012

A Dark Night

First and foremost, what happened Thursday night/Friday morning in a darkened movie theater in Aurora, Colorado, is a tragedy.  I can't imagine how the friends, families and victims must feel.  (I hope I never have to know how they feel.)  I pray that the outpouring of sympathy from around the world can provide some comfort for those involved.

I haven't paid a lot of attention to the media this weekend.  Are they behaving themselves?  What I'm about to write is no reflection on anything I've seen or heard.  And while the two thoughts I have about it may sound hopeless, please consider them a statement of facts as I see them.  I'm not trying to be sarcastic or pessimistic about it.

First thought:

I clearly remember the day of the shootings in Columbine.  I had known Michael for only a couple months and we were at Todd's apartment off Antioch (the one where he kept his Christmas tree on display year-round).  The news about that tragedy was all over television.  As I watched, I couldn't believe what I was seeing and hearing.

Thirteen years later, while still an unforgiveable event, I don't feel the shock or disbelief I felt over Columbine.  Remember, we've also had 9-11 since then.  I don't want to think I've grown insensitive, but I must have become desensitized.  These things happen now; it's a part of life.  Of course, I wish they didn't and it weren't.  But they do.  And it is.

Second thought:

I have no interest in playing the blame game.  There is no one or no thing responsible for the actions of the "suspect", James Holmes.  Perhaps we search for a reason because it's unfathomable to believe a human being could be capable of such a heinous crime.  No matter what he's watched on TV or at the movies, no matter how he was treated by friends and family, no matter what, period... There had to be something wrong with him from the very beginning.

Therefore, there is probably nothing anyone could have done to prevent the violence in Aurora.  And I don't know that there is anything we can do to prevent similar acts in the future.  Metal detectors aren't going to do it and gun laws aren't going to do it.  These things happen now; it's a part of life. Of course, I wish they didn't and it weren't. But they do. And it is.

Perhaps these tragedies are reminders that life is short; you never know when it's going to end.  So we absolutely must do everyhing we can to take advantage of it while we have it.  Don't sweat the small stuff.  Stop and smell the roses.  Be kind to others.  There are hundreds of sayings.  Maybe one day when we all remember them and they truly become part of our actions, there won't be a need for these horrible reminders.

Sunday, May 6, 2012

Out of the Dark Shadows - Part 3

Out of the Dark Shadows - Part 3

In the third part of my"appreciation" of all things Dark Shadows on Downright Creepy, I discuss my feelings toward the 1991 primetime revival:
…it seems more dated than even the original series from 25 years earlier.  I think it's because of the big hair; the hairspray budget must have been astronomical.  And I must admit that the pleasure I get from watching it comes from seeing familiar story lines reinterpreted in a "modern" age rather than from any particularly unique style or substance.
I have analyzed the first six episodes of Dark Shadows (1991) and compared it to the original series (episodes 210-365, first broadcast between 4-17-67 and 11-17-67) and the theatrical version, House of Dark Shadows (1970).  For the qualities I like most about Dark Shadows, the revival series lies somewhere between its previous two incarnations.  I discuss its atmosphere in the Downright Creepy article, so here I'll expand on its characters and stories.


The Characters
Victoria Winters is similar in both the revival (Joanna Going) and the original series (Alexandra Moltke).  Both are innocent and somewhat gullible, but 1991 Victoria seems to more eagerly embrace her relationship with Barnabas Collins.  Perhaps this is because she is not caught in a love triangle with another man like she is in 1966.  (Remember, the character is not present in House of Dark Shadows.)  1991 David Collins (Joseph Gordon-Levitt) seems more precocious than 1966 David and less sinister than 1970 David (David Henesy in both).  These two characters are used to advance the story in 1991 much the same way they are in previous versions.  However, Victoria's role as the possible reincarnation of Josette DuPres, begins immediately in 1991 without Maggie Evans first being a candidate, as she was in both 1966 and 1970.



Instead, Maggie (Ely Pouget), who now works at the Blue Whale with its owner/her father, Sam Evans (Eddie Jones), is the resident psychic and secret lover of Roger Collins.  Maggie is much more a free spirit than her predecessor (Kathryn Leigh Scott).  She's a "modern" woman with a healthy sexual appetite.  Sam is pretty much reduced to a background character.  While he did not appear in House of Dark Shadows, Sam (David Ford) is a relatively major player in the original series, teaming with various characters to investigate his daughter's condition.


Roger (Roy Thinnes) doesn't have a lot to do in Dark Shadows (1991); however, he has more to do than he did in Dark Shadows (1966) and House of Dark Shadows.  He doesn't appear in every episode, but he does have the secret-romance-with-Maggie subplot.  He portrays Roger less arrogantly/flamboyantly than Louis Edmonds.  It seems he's more accepting of potential supernatural threats than his predecessor.  His sister Elizabeth Collins Stoddard (Jean Simmons), has absolutely no other role in 1991 (or in 1970) than to be the family's matriarch and occasionally dispense her wisdom.  In 1966, Elizabeth (Joan Bennett) has an ongoing subplot most of the time, especially the one where she is self-confined to the Collinwood estate.



In 1991, Carolyn Stoddard (Barbara Blackburn) plays a modern vixen to the hilt.  I suppose she's no worse than the 1966 and 1970 versions portrayed by Nancy Barrett, but seems far less innocent.  I don't find not much difference between her behaviors before and after she becomes Barnabas's vampire slave.  In 1991, Joe Haskell (Michael T. Weiss) is more a combination of previous love interests for the young women of Dark Shadows.  Joel Crothers played him in 1966, but the characters "responsibilities" were split in 1970 by Roger Davis as Jeff Clark and Don Briscoe as Todd Blake.  Weiss really amps up the sex appeal for the women and gay men in the primetime viewing audience.


Ben Cross's interpretation of Barnabas Collins in primetime is more intense than Jonathan Frid's in daytime, yet closer to how Frid played him in the movie.  In early episodes, Cross seems to be more of a bad guy and less sympathetic than Frid.  However, in his moments of regret and self-loathing, he makes his tortured feelings more clear.  The difference is more stark.  Cross grows on me as the series continues; however, my favorite version of Barnabas is Frid's in House of Dark Shadows.  Willie Loomis (Jim Fyfe) is still largely a sounding board for Barnabas's thoughts and plans.  When he first appears in the story, John Karlen plays him in 1966 as a greedy drifter and in 1970 as a greedy caretaker.  In 1991, he's the greedy nephew of housekeeper, Mrs. Johnson.  But in 1991, he's apparently mentally challenged, and that makes him more sympathetic to me.  Plus, his relationship with Barnabas seems to make him a better person, less damaged than his predecessors.


As played by Barbara Steele, Dr. Julia Hoffman's motives are more selfish and vindictive in primetime than as played by Grayson Hall in daytime and in the movie.  However, this is demonstrated more by her actions than her reactions; she's really quite sedate most of the time.  Grayson Hall is more obvious with her feelings externally, with exaggerated expressions.  I mean, just look at her eyes in the picture below.  While in all versions Julia experiences unrequited love with Barnabas, I don't really feel it in Dark Shadows (1991).  We'll never know if Julia would have eventually become close friend and confidant of Barnabas in the primetime series like she did in the original.

The Stories
The pilot episode of Dark Shadows (1991) begins with narration from Victoria Winters that is nearly word-for-word the same as that from the first episode of Dark Shadows (1966), but in a distinctly different visual style:  colorful and cinematic.  The Victoria of both eras arrives in Collinsport for the same purpose: she has been hired to be the governess of troubled young David Collins.  In both versions, Vickie is an orphan hoping to find answers about her past; in neither version does she ever find them.

Both Dark Shadows (1991) and House of Dark Shadows (1970) use the character of Daphne as Barnabas's first victim when he arrives at Collinwood.  Dark Shadows (1966) has no such character; early vampire attacks are only referenced or shown with anonymous women walking the foggy streets of Collinsport.  A character like Daphne allows a tangible representation of what is happening around town and provides a means for the characters to learn about vampires.  More importantly, in the primetime series, having Daphne be part of the Collins family adds some emotional purpose for the peril she's in.

In 1991, as news of the attacks spread, Sheriff George Patterson consults local professor, Michael Woodard.  In 1966, Patterson and Woodard, often with Sam Evans and/or Joe Haskell, were the primary people investigating the strange goings-on.  In 1991, though, Woodard meets an untimely fate, Evans is a background character and Haskell is involved more as a victim himself.  Instead, Dr. Julia Hoffman arrives on the scene to help investigate with Patterson and Woodard (before his demise).  In 1966, she masqueraded as an historian to insinuate herself into Collinwood, and in 1970, she is already living at Collinwood as an acknowledged historian.
In all versions, Barnabas "hires" Willie after he springs him from his chained coffin.  At some point, Willies tries to warn Vicki (or Maggie), which results in a beating from Barnabas. In the 1991 version, this happens earlier than in the other two.  In fact, it is after Vickie's first visit to the Old House, when Barnabas shows her Josette's room.  When Barnabas later stands outside Vickie's window, hissing and gnashing his fangs, the ghost of his sister, Sarah Collins, appears and leaves Barnabas crying, "I cannot help myself."  Sarah has no part in House of Dark Shadows; however, she is prominent in Dark Shadows (1966), even though Barnabas sees her only after several other characters have already done so.

The extended-length pilot introduces all the characters and sets-up the storylines for the next five one-hour episodes.  Beginning with the second episode, though, each one seems to focus primarily on one storyline, making them more stand-alone than most primetime soap operas.  For example, episode two deals mostly with the fate of Daphne Collins as she eventually becomes a vampire, attacks Joe Haskell, then is hunted down and staked at the Collinwood stables.  (By the way, this is almost exactly the same arc for Carolyn in House of Dark Shadows, sometimes shot-for-shot.)

At the end of episode two, Julia has discovered Barnabas's secret and, after talking herself out of his threats, promises that she can help him.  This unfolds through episode five pretty much the same way in the original series and the movie.  For some reason, it's interesting to me that in both of the originals, Julia learns what she does because she cannot see his reflection in her makeup compact, but in the revival, it's because she doesn't see it in a large wall-hanging mirror.  This could be because in a later episode, he destroys a wall-hanging mirror (I don't remember if it is the same one) in a moment of rage.
In episode three, there is a development unique to Dark Shadows.  Professor Woodard discovers Barnabas’s (and now Julia’s) secret and takes photos of Julia’s notebook.  He tries to alert Sheriff Patterson, but is attacked by Barnabas before he can do it, which results in him being staked when he tries to attack the sheriff in episode four.

Also in episode four, a fleeting subplot about David’s mother, Laura, comes and goes.  Not much is gained by this subplot, where David uses a voodoo doll to attack his father, except that we see a demonstration of Maggie’s psychic abilities as she tells Vickie that Laura is a witch.  Vickie also meets Sarah for the first time and now believes David about her existence.
The cure storyline resolves in episode five as Barnabas grows closer to Vicki.  When she learns about their relationship, a jealous Julia sabotages his treatments just as he becomes more eager to complete them.  As in the other versions, Barnabas transforms into a withered version of himself, only to return to his youth when he attacks Carolyn (in 1966 and 1991; in House of Dark Shadows, he attacks Maggie Evans).  As far as I’m concerned, she gets what she deserves, throwing herself at Joe the way she does while he’s still grieving for Daphne.

Episode six sets-up the second half of the series, after the ghost of Sarah Collins prevents her brother, Barnabas, from killing Dr. Julia Hoffman.  By now, the entire family is aware of Sarah’s presence and decides to hold a séance to learn more.  House of Dark Shadows has spun to its own conclusion by now, but at this point Dark Shadows (1966) is Dark Shadows (1991) are pretty much at the same point.

I consider the 1991 primetime revival to be more a remake of House of Dark Shadows, although it is certainly infused with elements of the original daytime soap opera that could have led to a lengthier run.  In fact, both House of Dark Shadows and the pilot episode of Dark Shadows (1991) were directed by Dan Curtis.  In several spots, he uses nearly the same camera angles, lighting and shots.
Click here to watch a comparison of scenes depicting the arrival of Barnabas Collins at Collinwood.

That does it for now.  I’m going to a screening of Tim Burton’s take on Dark Shadows tomorrow night.  Hopefully, I’ll be energized by it and will continue future analyses of both the original series and it’s primetime revival.

Saturday, April 28, 2012

Out of the Dark Shadows - Part 2

In the second part of my "appreciation" of all things Dark Shadows on DownrightCreepy, I discuss how much I love the 1970 movie version, House of Dark Shadows:

In order to successfully consolidate what occurred over the course of 154 TV episodes into a 97-minute movie, Curtis and screenwriters Sam Hall and Gordon Russell, also Dark Shadows veterans, had to take some liberties with the story. They did a remarkable job of honoring the original series while at the same time producing a stand-alone movie experience. In essence, they eliminated the character of Victoria Winters (actress Alexandra Moltke had left the series by then) and turned the character Maggie Evans into both the Collins family governess and the possible reincarnation of Josette DuPres.
I have dissected House of Dark Shadows scene-by-scene while comparing it to the source material, the story arc first broadcast between 4-17-67 and 10-27-67.  Without getting too detailed, I'm going to attempt to summarize the comparison below.



House of Dark Shadows begins running right out of the gate, not letting opening credits delay the action.  They are superimposed over the first few minutes of the movie.  As it starts, Maggie Evans is looking for David Collins.  In only two to three minutes, this scene accomplishes several things:

·         Establishes that David is a troubled young lad
·         Introduces a new character to the story, Daphne Budd, a secretary working for Elizabeth Collins Stoddard
·         Introduces Willie Loomis, his uncomfortable relationship with Maggie and the clues and motivation he has for treasure-hunting on the Collins estate
·         Introduces Roger Collins and his questionable parenting skills
In the movie, Willie is an employee of the Collins family, not the drifter friend of Jason Maguire, who is not a character in the movie.  However, this does not change Willie's motivations for finding the buried jewels.  He still removes the chains from the coffin and opens it.  At approximately eight minutes into House of Dark Shadows, a hand with a black ring on its index finger reaches up from the coffin and grab's Willie's neck, much like it did in Dark Shadows, the original series.
We soon learn the real reason for the character of Daphne: victim.  On the way to her car, which seems very far away, dogs howl and crows crow.  A first-person shot from the woods tells us that someone is watching her.  She drops her purse and runs to her car.  As she gets in, the passenger door opens and a hand with a black ring on its index finger grabs her neck.  Later, at The Blue Whale, Todd Blake (erroneously listed as Todd Jennings in the credits) hears from a policeman that another woman was found dead and that she was bitten, just like Daphne.  On the TV show, there were no vampire attacks before Barnabas arrived at Collinwood.
The family core is introduced in House of Dark Shadows with similar dynamics as those on Dark Shadows.  However, several characters are introduced in the movie that did not appear until later on TV.  Jeff Clark first appears by discovering Daphne lying bloodless on the road and Professor Elliott Stokes first appears with the family when they meet Barnabas.

Besides the character of Daphne Budd, Todd Blake never appeared on the TV show.  (He most likely takes the place of Joe Haskell.)
In the movie, Julia Hoffman appears earlier than she did in the TV show, as caregiver for Daphne at Collinwood rather than Maggie at Windcliff sanitarium.  She's also acknowledged to be both a doctor and an historian, whereas on TV she masqueraded as an historian to investigate Maggie's condition.
At just over 17 minutes into House of Dark Shadows, a man approaches the Great House.  In a first-person shot that will continue for about two minutes, a hand with a black ring on its index finger pushes the doorbell.  Mrs. Johnson answers the door and lets him in.  While she leaves to tell Elizabeth that he's there, he looks around the drawing room.  His hand presses a key on the organ.  Roger approaches, seen through the curve of a cane handle, "If I didn't see it with my own eyes, I wouldn't believe it."
"It's an extraordinary likeness," says Elizabeth, "like a portrait come to life."  The camera pans from the painting of Barnabas Collins to the man standing before it: Barnabas Collins.
As told by Barnabas Collins, his backstory is similar in both versions of Dark Shadows:
·         The family has no idea they still had relatives living in England
·         They do know that the original Barnabas Collins went to England in the late-1700s
·         Naomi Collins was the original Barnabas' mother
In House of Dark Shadows, Carolyn becomes Barnabas first vampire “slave” due to her curiosity and skepticism about Barnabas’ arrival.  In Dark Shadows, she is not bitten until after Julia’s cure for Barnabas fails.  Using Carolyn as a jealous “lover” provides an expeditious way to introduce Maggie as the reincarnation of Josette and Barnabas’ infatuation with her.  While this is ultimately bad news for Carolyn because Barnabas must eventually turn her, it is good news for the movie because it provides a vampire that can scare David, bite Todd and then be destroyed in a gruesome staking scene.
The story of Josette DuPres is similar in both versions of Dark Shadows.  Barnabas tells Willie:
I gave her this music box 180 years ago.  This was her room, exactly as it was the night we were to be married.  This was her wedding gown; she never got to wear it.  When we fell in love, Josette and I, I was as you are.  When they put this curse upon me, there was only one way I could have her.  I went to her that night and offered her eternal life, eternal love.  Then she found out what our marriage was to be.  She went to the cliff at Widow’s Hill.  I couldn’t stop her.  I found her body on the rocks below.  And they found me.  My father couldn’t bring himself to destroy me, so he chained me in that coffin for what he thought would be eternity.  Willie, I never thought I’d see her again.  But now I’ve been given a second chance, because tonight I have found her again, Willie.  I have found my Josette and this time there will be that wedding.
After Carolyn is killed, about 55 minutes into the movie, Julia discovers Barnabas’ secret and convinces him that she can cure him.  As in the series, when Barnabas get impatient about completing his treatment and Julia becomes jealous over his feelings for another woman, the cure backfires and Barnabas is transformed into a withering old man.  To reverse the effect, Barnabas feeds on Maggie.  (Remember, in the TV show, he fed on Carolyn.)  In House of Dark Shadows, the cure sequence is wrapped up in about 25 minutes; in Dark Shadows, it occurred over the course of 61 episodes (288-349).


In both versions of the cure storyline, Willie at some point warns Maggie to stay away from Barnabas.  This results in Barnabas beating him with his cane.  It is interesting to compare the two examples of Barnabas’ brutality.  Besides the flexibility a movie allows, its sequence demonstrates how Barnabas is portrayed less sympathetically and more as a being of true evil.
It is at this point that comparisons between House of Dark Shadows and its predecessor must end.  That is primarily because in a movie, there must be a conclusion with everything wrapped up tidily.  On the TV show, the characters and stories would continue for years.  The last 15 minutes of House of Dark Shadows is thrilling.  I won’t spoil the ending for those who take my recommendation to watch it; however, I will reiterate how well it brings multiple characters and stories from the television series to a satisfying theatrical conclusion.

Tuesday, April 24, 2012

Out of the Dark Shadows - Part 1

Leading to the release of the new Dark Shadows movie on May 11, I am writing a series of “appreciations” for Downright Creepy.  The first one discusses the original series, which ran on ABC for approximately five years beginning on June 27, 1966.  While those essays are general overviews of the show with a lot of personal opinions, I’d like to use this forum to dig into the details of its characters and stories in a more factual way.

Pre-Barnabas Collins (Episodes 1-210)
I imagine most people believe the character of vampire Barnabas Collins is synonymous with Dark Shadows.  However, he was not even mentioned until episode 202 and did not physically appear until episode 211.  What happened for almost a year before he appeared?

During the summer of 1966, young Victoria Winters travels by train to the small fishing village of Collinsport, Maine.  She has been hired by the wealthy Collins family to be governess to troubled 9-year old, David Collins.  He and his father, Roger Collins, and 18-year old cousin, Carolyn Stoddard, live in the Great House at Collinwood with Roger’s sister, Elizabeth Collins-Stoddard, the matriarch of the Collins family.  Elizabeth has not left the estate since the disappearance of her husband, Paul Stoddard, 18-years ago. 
Victoria grew up in a New York foundling home and hopes in Collinsport to find some clues to her real identity.  Handsome mystery man Burke Devlin and waitress Maggie Evans warn her to stay away from the Collins family.  It’s no wonder:

·       David, resentful of Roger’s plans to send him away, attempts to kill him by sabotaging his car.

·       Matthew Morgan kidnaps Victoria when she learns that he killed Bill Malloy, the manager of the Collins fishing fleet.  Locked in the Old House at Collinwood, the ghost of Josette DuPres protects her from harm and Morgan ultimately dies from fright after seeing the ghost of Bill Malloy.

·       David’s mother, Laura, unexpectedly arrives at Collinwood.  She is a Phoenix who has returned to claim her son and lure him into the flames.

·       Burke Devlin finds evidence from Sam Evans (Maggie’s father) that Roger was responsible for the car accident that sent him to prison for five years.  Roger had paid Sam to keep quiet about it.

·       Jason Maguire, the unscrupulous friend of Elizabeth’s missing husband, appears at Collinwood and blackmails Elizabeth into letting him stay at Collinwood.  He apparently knows something about Paul Stoddard’s disappearance.

·       Willie Loomis, the drifter friend of Jason Maguire, arrives in Collinsport, causing trouble at every turn.  Joining Maguire as another unwelcome guest at Collinwood, he becomes obsessed with the jewelry in a portrait of Barnabas Collins.  Believing that Collins ancestors were buried with their treasures, he goes to the Collins mausoleum at Eagle’s Hill cemetery to rob their graves…
The Introduction of Barnabas Collins (Episodes 211-220)

Willie Loomis discovers a hidden room in the Collins mausoleum.  When he removes the chains from a coffin inside the room, a hand reaches out and grabs him by the neck.
Barnabas Collins arrives at Collinwood, introducing himself as a cousin from England.  The family notices a striking resemblance to the portrait of the original Barnabas Collins and gives him permission to move into the Old House with Willie as his servant.  Speaking to the portrait of Josette in the Old House, Barnabas declares that he has come home to stay.

The Story of Josette DuPres  (Episodes 221-261)

Barnabas Collins meets Maggie Evans at the Collinsport Inn and believes she is the reincarnation of his long-lost love, Josette DuPres.  After drinking her blood on several occasions, he takes her to the Old House and tells her that she will become Josette.  This continues for several episodes, with Maggie escaping, being found by Barnabas and then being locked in a cell in the basement of the Old House.  At one point, she pretends to be Josette in an attempt to save her life, but ends up at Windcliff Sanitarium with only her father and Dr. Woodard knowing that she’s alive.
Click here to watch a compilation of scenes telling the story of Josette DuPres, including Barnabas’ stormy night tale of her fate nearly 200 years ago.

If at once you don’t succeed… (Episodes 277-365)
Believing Maggie Evans to be dead, Barnabas Collins now turns his attention to governess Victoria Winters and becomes the romantic rival of Burke Devlin.  At a costume party, Burke dresses as Jeremiah Collins, who was Barnabas’ rival for Josette DuPres nearly 200 years ago.  Barnabas makes various attempts to woo Vicky and transform her into Josette.

The Arrival of Dr. Julia Hoffman (Episodes 265-287)
Dr. Julia Hoffman is introduced at Windcliff Sanitarium where she is caring for Maggie Evans after her ordeal with vampire Barnabas Collins.  Posing as a family historian, she insinuates herself into Collinwood to search for clues about what happened to Maggie.  Over the course of the series, she will become close friend and confidant of Barnabas Collins.  However, in her early episodes, she is forced to spend most of her time doing the dirty work required to protect his secret.  There’s a LOT of hypnosis involved.

The Cure (Episodes 288-350)
At the Old House, Julia Hoffman discovers that Barnabas Collins casts no reflection.  When he finds out that she has learned his secret, he tries to kill her; however, she convinces him that she can cure him.  At some point, she becomes extremely jealous of Victoria Winters and frequently tries to sabotage her relationship with Barnabas.  When Barnabas pressures her to give him a massive treatment to cure his vampirism, she does so, but it backfires and he is transformed into a withering old man.  It lasts only for a couple episodes, however, as he soon drinks from Carolyn Stoddard and his condition is reversed.

The Ghost of Sarah Collins (Episodes 255-365)

While imprisoned in a cell in the basement of the Old House, Maggie is frequently visited by the ghost of Sarah Collins.  She eventually helps Maggie escape her prison, and, later, from Windcliff Sanitarium.  Young David Collins’ repeated attempts to find Sarah result in him being trapped in the secret room of the Collins mausoleum.  But she saves his life when Barnabas, believing David knows his secret, tries to kill him.
The entire arc of Dark Shadows that began with the introduction of Barnabas Collins ends 154 episodes later with a séance in episode 365.  The ghost of Sarah Collins has become such a mystery for many members of the Collins family, that they attempt to contact her spirit.  During the séance, there is a blackout and Victoria Winters disappears…

And that, dear friends, is only the beginning.  Over time, I hope to gradually share more of the saga and make more compilation videos for you to enjoy.
What about everyone else?!?

While the adventures of Barnabas Collins were the focus of much of Dark Shadows, he was not present in every episode.  There were concurrent storylines affecting other characters:
Elizabeth Collins Stoddard (Episodes 210-273).  Maintaining his hold over her, Jason Maguire informs Elizabeth that they will be married.  This drives a wedge between her and her daughter, Carolyn.  Elizabeth confesses to governess Victoria Winters that she killed her husband, Paul Stoddard, and is twice driven to commit suicide by jumping from Widow’s Hill.  It turns out that Elizabeth did not kill her husband; instead, Jason helped him escape.  Elizabeth ultimately insists that Jason be allowed to leave Collinwood without prosecution, never to return???

Carolyn Stoddard (210-273).  Spends many episodes trying to learn what hold Jason Maguire has over her mother, Elizabeth Collins Stoddard.  When a marriage is announced, she threatens to marry a hippie motorcyclist and then plans to shoot Jason at the wedding.  When that storyline is resolved (see above), she spends the rest of the overall arc as slave to vampire Barnabas Collins.
Burke Devlin (293-345).  The romance between Burke Devlin and governess Victoria Winters heats up as they discuss marriage and Burke participates in a public competition with Barnabas Collins.  Burke eventually suspects Barnabas and becomes young David Collins’ confidant.  In episode 345, Elizabeth Collins Stoddard receives word that Burke’s plane has crashed, but Victoria refuses to believe he is dead.