Showing posts with label American Horror Story. Show all posts
Showing posts with label American Horror Story. Show all posts

Wednesday, December 31, 2014

2014 Year End Entertainment Extravaganza

Movies

I'm certain you've read my annual Top 10 list on Downright Creepy; however, I find that I must ssupplement it with additional information not allowed within that format.  Mainly, I feel the need to explain why a list of ten movies on a horror website has only two horror movies on it.  It's quite simple really.  2014 was a terrible year for horror!

If you look at the major studio releases for the year, not that I'm recommending you do, you'll find justification for my declaration.  Paranormal Activity: The Marked Ones, The Quiet Ones, Oculus, Annabelle and Dracula Untold all failed to thrill me.  I was surprised that I enjoyed Paranormal Activity: The Marked Ones and Dracula Untold as much as I did, but that's hardly strong enough criteria for a Top 10 movie.  The only studio movie I enjoyed enough to include was Godzilla and, to be honest, I may still have been on a high from meeting the cast and director at Comic-Con last year.

Yep, The Babadook is scary!

Independent horror fared better and was the source for my favorite horror movie of the year, The Babadook.  I watched more movies at home this year than in theaters.  However, none of them, including Odd Thomas, Patrick: Evil Awakens, The Sacrament, The Guest, Tusk, Horns, Mercy, VHS: Viral and Late Phases are Top 10 material.  (About The Babadook, though…  fantastic!  Horror rises from a very real, very personal family situation, which made the scares very real and very personal, as well.  Terrific performances contribute to another favorite movie from Australia, following The Loved Ones, from 2009.)

I should also note that while they were on my list to watch, I never got around to seeing The Town That Dreaded Sundown, [REC] Apocalypse, Cabin Fever: Patient Zero, Stage Fright, Only Lovers Left Alive, Devil's Due, As Above So Below, Deliver Us from Evil, Starry Eyes, Dead Snow: Red vs. Dead, Exists, Willow Creek and A Girl Walks Home Alone at Night.  It's conceivable that one or two of those could have made the Top 10, and I'll certainly alert you if they do.

This is how you'll feel if you don't watch The Signal.
If good horror was not a trend in 2014, good science fiction certainly was.  In fact, my favorite movie of the year (of any genre) was the mind blowing sci-fi thriller, The Signal.  More than half the movies on my Downright Creepy top ten list were science fiction.  (70% of them are sci-fi if you count Godzilla.)  I enjoyed immensely Guardians of the Galaxy, X-Men: Days of Future Past, Interstellar, Edge of Tomorrow and Dawn of the Planet of the Apes.  The biggest surprise among these was Edge of Tomorrow.  It's a crime that movie didn't get a bigger audience. Forget Tom Cruise, it's Emily Blunt's movie and it's an incredible amount of fun.

That leaves only one Oscar-bait movie on the list, Birdman at number ten.  It doesn't really fit into the horror-thriller-science fiction genres; however, it counts because the character Michael Keaton plays was made famous by portraying a Batman-like superhero character in a series of blockbuster movies.  Also, Birdman contains one scene of sci-fi brilliance as the character that haunts him comes to life in an epic battle on the streets of New York.  Since the movie is largely about what happen inside Keaton's head and his fantasies merging with reality, I'll maintain the argument that it belongs on the list.

If I didn't get to see as many genre movies as I wanted to this year, I barely scratched the surface of seeing any "regular" movies.  The one drama that made my list (because it's also a thriller) was Nightcrawler.  Nothing else I saw would replace any of the genre movies on my list.  But neither have I been particularly motivated to see many of the non-genre movies that were released in 2014.  The only one that's even on my radar as a must-see before the end of the year is Boyhood.  It may be safe to say that 2014 was not only terrible for horror, but also for movies in general, at least in terms of what I wanted to see.

Tilda Swinton in Snowpiercer.
Let's talk a moment about my favorite performances this year.  These will undoubtedly be different from any Oscar nominees since my favorite performances don't usually equate with the "best" performances.  The one that stands out was from a movie not on my Top 10 list, but one that would make a Top 20 list, if there were one.  That is Tilda Swinton's in Snowpiercer.  In a way, her character of Mason is similar to that of Effie (Elizabeth Banks) in The Hunger Games movies; however, the difference in acting is like that between night and day, between scary and cartoonish. Swinton is amazing, once again completely committing herself to her craft.

Jake Gyllenhaal in Nightcrawler.
Jake Gyllenhaal also commits to his craft in Nightcrawler, losing weight for his role as Louis Bloom.  Gyllenhaal is probably my favorite actor these days, but I don't know that his performance stands out any better than Michael Keaton's in Birdman.  Likewise, Ben Affleck is very good in Gone Girl, but I go back and forth wondering if his character of Nick Dunne was really as ambiguous as he appeared, or if that was just Affleck's acting style (which is to say, he doesn't have much of one).  So, none of the male performances really equal the one female performance of Tilda Swinton.

As far as directing, the technical talent demonstrated by making an entire movie seem as though it was filmed in one shot makes me respect and admire the work Alejandro Gonzalez Inarritu did for Birdman.  However, the pure energy and enthusiasm James Gunn infused into Guardians of the Galaxy make his resulting movie a more entertaining success.  When I first heard about the production of Guardians of the Galaxy, I was skeptical.  But it must have been Gunn's vision that turned an unknown comic from the dark corners of the Marvel universe into the year's most rollicking adventure.  It's what movie making at its best can be all about.

My new year's resolution for 2015 is to be more positive.  I don't want to focus on the bad side of everything; plenty of other people do that.  As part of this initiative, I want to be more conscientious about recognizing the best parts of the entertainment I experience.  There's something good about everyone and everything.  Pointing out the bad is easy.  It's lazy.  Finding the good is more challenging.  Sometimes, it's more creative.  As a transition to this new me, I'm going to present, not the "worst" movies of the year, but the ones "I enjoyed the least."  This implies I enjoyed, at least a little, every movie I saw.  That isn't necessarily true, but it's… nicer.

Really, there were only two movies "I enjoyed the least."  The first was Transcendence.  You can read all my negative thoughts about this one on Downright Creepy; however, the positive thing I will say is… nothing.  Because, if you can't say something nice, don't say anything at all.  The best thing I can say about Tammy is that it had a great trailer.  Not since Norbit (2007) has the trailer for a movie been so funny that I wanted to see the full-length movie.  Then very early in its running time, I realized I had been duped, not in an innocent "oh, well, you win some, you lose some" way, but in an angry "I've been effin' cheated" way.

Television

If the horror genre is struggling on the big screen, it's thriving on the small screen.  I could almost make a Top 10 list of only the horror-fantasy-science fiction shows I regularly watch.  At the top is American Horror Story.  Admittedly, it's flawed; however, it never fails to entertain and I never know what to expect when I watch it.  Hannibal is probably a better show, but I forgot to put it on my list, probably because it's not currently airing; out of sight, out of mind.  I ranked Bates Motel second, but that's not because it's a great show.  It's just that I enjoy watching it and writing about it.  It's the knowledge of what I think is to come that drives my interest.

Twisty the Clown from American Horror Story: Freak Show.
There are at least 20 horror-fantasy-science fiction shows I regularly watch.  To be honest, I stick with some of them just so I feel like I'm not missing anything, but there is only a handful I'd consider "must see TV."  Of the comic book shows, Gotham is my favorite, although I watch Arrow, The Flash, Agents of S.H.I.E.L.D. and Constantine.  Of the mystery shows, The Leftovers is my favorite, although I watch(ed) Gracepoint, The Intruders and The Missing.  Of the young adult shows, I can't claim a favorite, but I equally enjoy Supernatural, Teen Wolf and The Vampire Diaries.

What, no Walking Dead?!?  I watch it, I like it.  However, more times than not, it infuriates me.  I'm thrilled that it's finding such success, but in my humble opinion, it's vastly overrated.  There, I said it.  Similarly, I find the continuing success of Under the Dome a complete puzzler.  It has become one of the most ridiculous shows of any genre on TV.  The only thing I can imagine is that the person in charge of summer programming at CBS isn't in the most stable mental state.  How else can you explain the news that there will be a second season of Extant, the Halle Berry miniseries that blasted off to nowhere… fast.

I liked The Strain… at first.  But as the season wore on, it became too similar to The Walking Dead.  Really, why does the way you kill the vampires have to be the exact same way you kill the zombies?  The most promising limited run show was Penny Dreadful on Showtime.  When it was good, it was sublime.  However, it was way too unsteady on its feet.  I love the concept of mixing horrific literary characters into an ongoing continuity, but the focus shifted wildly among episodes.  I'd have been happy with a series revolving entirely around Dorian Gray (the stunningly beautiful Reeve Carney).

Reeve Carney in Penny Dreadful.

If none of these "enjoyable" shows are the "best", then what is?  Rarely has the answer to a question been so simple: The Good Wife.  The normal trajectory of a show is for it to start waning in the fifth and sixth seasons, but this one bucks the trend and has never been better.  Nearly the same thing can be said for Web Therapy, currently running on Showtime.  It's in its fourth season and has never been funnier.  In fact, this is a fantastic time to be a Lisa Kudrow fan.  After almost ten years, The Comeback returned for a second season.  I don't remember much about the first season, but this one is at least as good, if not better.

With the exception of The Good Wife, it's pay cable that continues to offer the highest quality programming.  Homeland reinvented itself, to a certain extent, and had an outstanding season.  The Newsroom ended its run with six terrific episodes, although for some reason I can't understand, seemed to be loathed by most critics.  The Affair, Ray Donovan and Masters of Sex all started out strong, but I began to lose interest as their seasons advanced.  In particular, The Affair was infuriating to me.  During its last couple of episodes, I came just short of shouting at my TV screen.

Jonny Lee Miller in Elementary.
Basic cable offered two promising shows.  On F/X, it was Tyrant, which began as a compelling surprise, but got a little silly.  On WGN America, it was Manhattan, which I never really loved, but felt drawn to watch.  I think I have several episodes sitting on my DVR.  For reliable entertainment, I can always rely on a show in its third season on a traditional network channel, CBS: Elementary.  It took a while to warm up to the dynamic of Sherlock's (Jonny Lee Miller) new protégé in relationship to Watson (Lucy Liu), but I never watch an episode that I don't enjoy.

Comics, Magazines & Books

In 2014, I continued to decrease purchasing print comics in favor of their digital versions.  This sometimes means waiting a month or two for their price to come down, but it has made a significant impact on my budget (not to mention the cost of supplies for bagging and boarding).  Further, I limited the number of digital comics I bought.  I lost interest in most of DC Comics' New 52 superheroes and regularly read only Batman, Earth 2, Flash, Justice League and Superman, and I read those mostly because of their authors.  I'll read almost anything Scott Snyder (Batman) and Geoff Johns (Justice League, Superman) write.

Where I got burned was starting out with a couple of weekly series.  I should have known this from the past, but it's hard to sustain a single story every week for an entire year.  The quality is inconsistent and the purpose becomes cloudy.  Halfway through its run, Futures End is boring and confusing to me.  Batman Eternal has been a little more solid, but even with it, I can't remember what the overarching plot is.  A glutton for punishment, I've read the first two issues of Earth 2: World's End.  My problem is that once I start reading one of these weekly series, it's hard for me to stop, even if I'm not entirely enjoying them.

Outcast is like "What ever happened to The Exorcist?!?"
Some of my favorite digital comics right now are creator-owned titles from Image.  I've been reading Clone for a couple years, but started Nailbiter, Outcast and Wytches in 2014.  Morning Glories is compelling, like a Lost for comics, but I keep feeling like one day I'm going to have to start all over and read through them at once to get everything I can from it.  Saga has continued to be entertaining and surprising.  But like the TV show, I'm growing a little weary of The Walking Dead comic.  It's definitely past its prime; it's been a while since I couldn't wait to read the next issue.

I added quite a few back issues to my monster magazine collection this year, although higher-priced issues of Famous Monsters of Filmland continue to elude me.  On a regular basis, the only magazine I'll buy no matter what is Horror Hound.  If a magazine can represent a person's interests and taste perfectly, Horror Hound is the one that does it for me.  I still subscribe to Entertainment Weekly, but rarely flip through the physical issue that arrives torn and tattered in the mailbox.  I keep it handy only until I read the digital version on my iPad that comes free with the subscription.

I saw Stephen King and got an autographed copy of Revival!

I'm embarrassed to say I read only a couple of books this year, and most of them were written by Stephen King.  I read Mr. Mercedes in one day on a train trip to Chicago.  It's definitely Stephen King-lite, but it was a page turner.  I just finished Revival last week.  It started out slowly, but about halfway through, I couldn't put it down.  Overall, I think his writing has become more succinct.  His books are certainly shorter than they used to be.  I enjoy reading, but time is always an issue.  I think in 2015 I need to make time for reading.  I'd likely be better off doing it at the expense of some of the television I force myself to watch.

Music

I'm so out of touch with music these days, I couldn't tell you who's who or what's what.  But I started something new this year, listening to music as I fall asleep at night.  There are three soundtracks that are perfect for it:  The Tree of Life and Hannibal, volumes one and two.  I've recently begun listening to the soundtracks from Bates Motel and Stonehearst Asylum, as well.  Michael says they are too "scary," but I'm usually sawing logs a few minutes into them.

Perfect bedtime music.

This month I've been working on my holiday music collection in iTunes… listening to compilations to rate the songs, creating sub-genres to better group them, etc.  I made two additions:  Idina Menzel and Pentatonix.  I was disappointed in Idina Menzel.  My favorite song is technically not even a Christmas song, "When You Wish Upon a Star."  And I don't know what marketing scheme I blindly followed, but I didn't like Pentatonix at all.

Well, that's my year in entertainment.  It wasn't the best… it wasn't the worst.  Any year can be better than the last, but for some reason, perhaps my pop culture instinct finely tuned in my 51st year, I think it's going to be easier than usual for 2015.

Wednesday, October 17, 2012

Tonight: The Return of American Horror Story

Being a fan of a Ryan Murphy-created TV show is frustrating.  I'm not aware of any other series that has see-sawed week to week from brilliant to awful, as much as a Ryan Murphy show.  Nip/Tuck, as a whole, was an extremely entertaining show, but it was never consistent.  Glee shares the same problems: characters come and go from episode to episode, complete storylines disappear and truly touching moments are negated by truly stupid ones.

Murphy may have created a workaround with American Horror Story by having each season be a self-contained story.  The inconsistencies are not be as noticable in one 12-episode arc as they are in a continuing series.  Don't get me wrong, they're still there; you just don't have as long to stew about them.  It also doesn't hurt that the subject matter is a haunted house or asylum instead of "real life" plastic surgery or high school.

I loved the first season of American Horror Story and could hardly wait for each new epsisode.  (It's one of the few shows I'd watch "live" instead of days later on my DVR.)  It was just so... out there.  Even though it was on basic cable, I often wondered how they got away with some of the things they showed.  Truly compelling mysteries unfolded.  While answers to some questions it raised came at unexpected times, it masterfully created even more.

Another huge benefit of self-contained seasons is that you can do anything you want with the characters.  There are real consequences for each one because anyone could die (or worse).  Nothing limits the creative possibilities.  For the second season, American Horror Story: Asylum, the actors who had the most interesting roles are returning.  But they'll be different characters.  And I have to say, it would be a game-changer for me if the amazing Jessica Lange was not coming back.

Dylan McDermott and Connie Britton, as good of actors as they may be, will not be missed in season two.  I want to see if Lange, as well as Evan Peters (Tate Langdon in season one), Lily Rabe (Nora Montgomery), Sarah Paulsen (medium Billie Dean Howeard) and Zachary Quinto (Chad Warwick) can create new characters as compelling as those from last season.  Plus, I want to see the new characters that actors James Cromwell, Joseph Fiennes, Adam Levine, Chloe Sevigny and Clea Duvall bring to life.

I think I'm more excited about the return of American Horror Story than I was on Sunday about The Walking Dead.  But I remain cautiously optimistic.  Although season one was incredible, I have to remember that it is a Ryan Murphy show.  Season two could be another story entirely... in more ways than one.



Friday, October 12, 2012

The Current State of Horror: The 2010s

"We have a lot of reason to be fearful in the world," Frank Farley, Temple University

One of the common theories used to explain the horror paradox is that people watch horror movies as a way of coping with actual fears or violence. Since one source of our fears in undoubtedly the world in which we live, I thought it would be interesting to look at the popular horror movies of different decades to see how they reflect the general fears and uncertainties of the times.

The 2010s

Before we predict horror trends for the rest of the decade, let's look at what we have so far.  The first three years of the 2010s have given us... more of the same.  We've already seen 17 sequels, 11 remakes, 9 torture porn/over-the-top blood and gore movies and 5 found footage movies.  But which of these have been successful?  That is likely the determining factor for whether these trends will continue rising or will being tapering off.

Sequels are never going to go away; they've been with us since the 1930s, the decade with which I started this series of posts.  Just as one franchise dies down (Saw 3D, Hostel: Part III), another gears up (The Human Centipede 2, Paranormal Activity 4), an old one is revived (Scream 4, Prometheus) or a standard keeps plugging along (Underworld: Awakening, Resident Evil: Afterlife).  I expect the life cycle of sequels to continue in perpetuity.

You can't keep a mediocre franchise down:  Underworld: Awakening, Resident Evil: Afterlife, Paranormal Activity 4.

Remakes will probably always be with us, as well; however, I expect the number to decrease.  The 2000s brought remakes of most of the big horror franchises of previous decades, so what we've gotten in the 2010s are remakes of lesser-classics (Don't Be Afraid of the Dark, Piranha 3DI Spit on Your Grave, Fright Night and The Crazies) and remakes of foreign movies (Let Me In and Silent House).  As if they were at the bottom of the remake popularity list, the remakes of remaining big-name classics (A Nightmare on Elm Street, The Wolfman, The Thing and Dark Shadows) have fizzled at the box office.

Torture porn seems to be going the route of the over-the-top blood and gore movies of the 80s.  The late-2000s and early-2010s saw a couple of serious attempts (Bereavement and The Woman), but then became more outrageous (Saw 3D, Hostel: Part III and The Human Centipede).  What was touted as realism a decade ago is once again turning into humorous gross-out.  I expect (hope) that the subgenre will completely disappear by the end of the decade.

The end of torture porn?  Saw 3D, Hostel Part III and The Human Centipede 2.

Just as audiences seem to be tiring of found footage movies, another one appears.  The thing is, although some of the concepts are repeated, every once in a while there is still one that seems fresh.  (The phenomenon has also spread to other genres, such as the Oscar-buzz-worthy End of Watch.)  In my opinion, the tired ideas came from movies like Paranormal Activity 4, but found interesting approaches in The Chernobyl Diaries, Apollo 18 and V/H/S.  One was even interesting (The Last Exorcism) then turned tired a few months later (The Devil Inside).  This subgenre will likely fade by the middle of the decade, but pop up again every couple of years.

What are the monsters of the 2010s likely to be?  Right now, they are ghosts and zombies.  And they're not only going strong in movies (Ghosts:  Paranormal ActivityThe Innkeepers and The Woman in Black; Zombies:  The Crazies, Resident Evil and REC), but now also on TV (Ghosts: American Horror Story; Zombies: The Walking Dead).  Vampires seem to be waning in movies (Let Me In and Fright Night) and on TV as two popular series are getting a little (pun intended) long in the tooth (The Vampire Diaries and True Blood).

Horror on the small screen: American Horror Story, The Walking Dead and True Blood.

There will always be representation of the other monsters, but I think two new types will emerge in the 2010s.  The first is the "ethnic monster".  In The Possession, Jeffrey Dean Morgan and Kyra Sedgwick battled a spirit from Jewish mysticism.  To my knowledge, this was the first specifically Jewish monster since The Golem, many decades ago.  The second is even more obscure and I don't know what to name it yet.  Both Insidious and Sinister dealt with very obscure horror legends, as well as offered one word adjectives as their titles.  I expect other corners of the horror universe to be explored in coming years as one of the only sources of original ideas in horror.

How about monsters behind the scenes, the horror creators?  Who are going to be the John Carpenters, Stephen Kings, Ridley Scotts and Wes Cravens of the 2010s?  I don't believe they will be John Carpenter (The Ward), Stephen King (Bag of Bones), Ridley Scott (Prometheus) or Wes Craven (My Soul to Take).  It's time to tout some new candidates, perhaps Adam Green (Frozen and Hatchet), Paco Plaza (REC) or Ti West (The Innkeepers, V/H/S).  More mainstream, it may also be someone from the JJ Abrams graduating class, Drew Goddard (The Cabin in the Woods) or Matt Reeves (Let Me In).  Regardless of who steps up, I expect a name to watch will be Gareth Edwards who gave us 2010s Monsters and is helming the next big-screen reboot of Godzilla.

The future of horror?  Ti West's The Innkeepers and Gareth Edwards's Monsters and Godzilla.

There are two final trends I've failed to mention in any of my Countdown to Halloween posts.  I wish I didn't have to, but there's no doubt that both teen fiction and 3D have influenced horror in the last several years.  Love it or hate it, the Twilight saga was a phenomenon.  While it's thankfully concluding this year, there is already talk of a reboot (may I suggest using actors this time around?) and I have no doubt studios are frantically searching for a new franchise for the demographic.

And, love it or hate it, 3D seems here to stay.  I personally believe it's a largely unnecessary means for Hollywood to raise prices and enjoy higher profits.  3D rarely adds anything special to a movie unless it's used to make things jump off the screen at you.  Yet so many are converted to 3D that don't even take advantage of the effect.  I've said before, my favorite 3D movie of the modern generation was one of the first: 2009's My Bloody Valentine.  3D was used just the way it should be, as scary, silly fun.

What have we learned in our two-week study of the horror films of individual decades?  Patterns emerged, cycles repeated, yet the genre evolved.  But as much as things change, they really stay the same.  Does it paint a bigger picture when you look at nine decades at the same time?  That's one last angle left to explore...

What we're afraid of (so far) in the 2010s:

Global financial crisis
Arab spring
Unemployment
Constitutionality of same-sex marriage
Health care reform
Presidential election

Milestones of the 2010s (so far):

2010.  BP's Deepwater Horizon offshore drilling rig exploded off the coast of Louisiana.
2011.  U.S. Representative Gabrielle Giffords shot at a supermarket near Tuscon.
2011.  Osama bin Laden located and killed.
2011.  Hundreds of protestors occupied Wall Street.