"We have a lot of reason to be fearful in the world," Frank Farley, Temple University
One of the common theories used to explain the horror paradox is that people watch horror movies as a way of coping with actual fears or violence. Since one source of our fears in undoubtedly the world in which we live, I thought it would be interesting to look at the popular horror movies of different decades to see how they reflect the general fears and uncertainties of the times.
The 2010s
Before we predict horror trends for the rest of the decade, let's look at what we have so far. The first three years of the 2010s have given us... more of the same. We've already seen 17 sequels, 11 remakes, 9 torture porn/over-the-top blood and gore movies and 5 found footage movies. But which of these have been successful? That is likely the determining factor for whether these trends will continue rising or will being tapering off.
Sequels are never going to go away; they've been with us since the 1930s, the decade with which I started this series of posts. Just as one franchise dies down (
Saw 3D,
Hostel: Part III), another gears up (
The Human Centipede 2,
Paranormal Activity 4), an old one is revived (
Scream 4,
Prometheus) or a standard keeps plugging along (
Underworld: Awakening,
Resident Evil: Afterlife). I expect the life cycle of sequels to continue in perpetuity.
You can't keep a mediocre franchise down: Underworld: Awakening, Resident Evil: Afterlife, Paranormal Activity 4.
Remakes will probably always be with us, as well; however, I expect the number to decrease. The 2000s brought remakes of most of the big horror franchises of previous decades, so what we've gotten in the 2010s are remakes of lesser-classics (
Don't Be Afraid of the Dark,
Piranha 3D,
I Spit on Your Grave,
Fright Night and
The Crazies) and remakes of foreign movies (
Let Me In and
Silent House). As if they were at the bottom of the remake popularity list, the remakes of remaining big-name classics (
A Nightmare on Elm Street,
The Wolfman,
The Thing and
Dark Shadows) have fizzled at the box office.
Torture porn seems to be going the route of the over-the-top blood and gore movies of the 80s. The late-2000s and early-2010s saw a couple of serious attempts (
Bereavement and
The Woman), but then became more outrageous (
Saw 3D,
Hostel: Part III and
The Human Centipede). What was touted as realism a decade ago is once again turning into humorous gross-out. I expect (hope) that the subgenre will completely disappear by the end of the decade.
The end of torture porn? Saw 3D, Hostel Part III and The Human Centipede 2.
Just as audiences seem to be tiring of found footage movies, another one appears. The thing is, although some of the concepts are repeated, every once in a while there is still one that seems fresh. (The phenomenon has also spread to other genres, such as the Oscar-buzz-worthy
End of Watch.) In my opinion, the tired ideas came from movies like
Paranormal Activity 4, but found interesting approaches in
The Chernobyl Diaries,
Apollo 18 and
V/H/S. One was even interesting (
The Last Exorcism) then turned tired a few months later (
The Devil Inside). This subgenre will likely fade by the middle of the decade, but pop up again every couple of years.
What are the monsters of the 2010s likely to be? Right now, they are ghosts and zombies. And they're not only going strong in movies (Ghosts:
Paranormal Activity,
The Innkeepers and
The Woman in Black; Zombies:
The Crazies,
Resident Evil and
REC), but now also on TV (Ghosts:
American Horror Story; Zombies:
The Walking Dead). Vampires seem to be waning in movies (
Let Me In and
Fright Night) and on TV as two popular series are getting a little (pun intended) long in the tooth (
The Vampire Diaries and
True Blood).
Horror on the small screen: American Horror Story, The Walking Dead and True Blood.
There will always be representation of the other monsters, but I think two new types will emerge in the 2010s. The first is the "ethnic monster". In
The Possession, Jeffrey Dean Morgan and Kyra Sedgwick battled a spirit from Jewish mysticism. To my knowledge, this was the first specifically Jewish monster since
The Golem, many decades ago. The second is even more obscure and I don't know what to name it yet. Both
Insidious and
Sinister dealt with very obscure horror legends, as well as offered one word adjectives as their titles. I expect other corners of the horror universe to be explored in coming years as one of the only sources of original ideas in horror.
How about monsters behind the scenes, the horror creators? Who are going to be the John Carpenters, Stephen Kings, Ridley Scotts and Wes Cravens of the 2010s? I don't believe they will be John Carpenter (
The Ward), Stephen King (
Bag of Bones), Ridley Scott (
Prometheus) or Wes Craven (
My Soul to Take). It's time to tout some new candidates, perhaps Adam Green (
Frozen and
Hatchet), Paco Plaza (
REC) or Ti West (
The Innkeepers,
V/H/S). More mainstream, it may also be someone from the JJ Abrams graduating class, Drew Goddard (
The Cabin in the Woods) or Matt Reeves (
Let Me In). Regardless of who steps up, I expect a name to watch will be Gareth Edwards who gave us 2010s
Monsters and is helming the next big-screen reboot of
Godzilla.
The future of horror? Ti West's The Innkeepers and Gareth Edwards's Monsters and Godzilla.
There are two final trends I've failed to mention in any of my Countdown to Halloween posts. I wish I didn't have to, but there's no doubt that both teen fiction and 3D have influenced horror in the last several years. Love it or hate it, the
Twilight saga was a phenomenon. While it's thankfully concluding this year, there is already talk of a reboot (may I suggest using actors this time around?) and I have no doubt studios are frantically searching for a new franchise for the demographic.
And, love it or hate it, 3D seems here to stay. I personally believe it's a largely unnecessary means for Hollywood to raise prices and enjoy higher profits. 3D rarely adds anything special to a movie unless it's used to make things jump off the screen at you. Yet so many are converted to 3D that don't even take advantage of the effect. I've said before, my favorite 3D movie of the modern generation was one of the first: 2009's
My Bloody Valentine. 3D was used just the way it should be, as scary, silly fun.
What have we learned in our two-week study of the horror films of individual decades? Patterns emerged, cycles repeated, yet the genre evolved. But as much as things change, they really stay the same. Does it paint a bigger picture when you look at nine decades at the same time? That's one last angle left to explore...
What we're afraid of (so far) in the 2010s:
Global financial crisis
Arab spring
Unemployment
Constitutionality of same-sex marriage
Health care reform
Presidential election
Milestones of the 2010s (so far):
2010. BP's Deepwater Horizon offshore drilling rig exploded off the coast of Louisiana.
2011. U.S. Representative Gabrielle Giffords shot at a supermarket near Tuscon.
2011. Osama bin Laden located and killed.
2011. Hundreds of protestors occupied Wall Street.
