At some point in the mid-1970s, my memories of
seeing movies at the drive-in shift from the Enid Drive-In out by the
fairgrounds, to the Trail Drive-In on the south side of town. I don’t know if it was a new facility or if
both remained in operation at the same time, but I definitely remember the
Trail being the “nicer” of the two. One
of the first movies I saw there was The Devil’s Rain. I didn’t like it in the summer of 1975 and I
don’t like it much now.
The Trail Drive-In circa 2007, long after closing. |
The Devil’s Rain is one of the slowest, most boring
horror movies I’ve ever seen. It’s not
trashy, though, like Dracula vs. Frankenstein.
Somehow, I think its intentions are better. And it does have some excellent makeup and
special effects. For some reason, I
watch it every few years, either forgetting that it’s not that great a movie or
just wanting to have something on in the background while I’m doing other
things.
The movie opens by throwing us right into the
middle of what little plot there is.
There’s no explanation; it’s like we walked into the room in the middle
of a conversation and have to figure out what’s happening. During the first 30 minutes of The Devil’s
Rain, the primary focus is a long discussion about some book, who has it, and
who wants it. Then, Mark Preston
(William Shatner) confronts Jonathan Corbis (Ernest Borgnine) about it.
I guess it’s common knowledge that Corbis leads
a Satanist congregation, representing evil, and Preston is a solid family man,
representing good. They agree to a
“challenge of faith.” If Preston wins,
he gets to leave with his parents, who are being held captive. If he loses, he must surrender the book to
Corbis. I guess that sounds like quite a
bit of exposition, but it drags. It’s
all talk and no action.
The movie then shifts to Dr. Sam Richards
(Eddie Albert), who is performing experiments to “identify ESP activity.” His subject is Mark’s sister-in-law, Julie
(Joan Prather), who is experiencing visions related to the history of Corbis
and his church. Her husband, Tom (Tom
Skerritt) enters the picture from nowhere and becomes the new hero of the story
because Mark has become one of Corbis’s victims.
Julie has a lengthy flashback that reveals a centuries
long “feud” between Corbis and the Prestons.
In 1680, Corbis was identified as a witch and burned at the stake,
swearing vengeance upon the Prestons and their ancestors. Flash forward to the present where Corbis
performs a ceremony. He gets so into it
that he transforms into a goat-like demon.
Tom, bowl haircut and all, infiltrates the ceremony, but is able to
escape. And so on, and so on…
The movie doesn’t dig any deeper for
explanations of any of its nonsense. In
fact, when someone asks Dr. Richards why Corbis waited 300 years to come back,
he ignores the issue by replying, “You’ll never know.” Let’s move on. He’s the one who has the final confrontation
with Corbis, telling him he wants Tom and Judy Preston or he will destroy “the
devil’s rain,” the vessel of souls that Corbis has stolen. Richards shouts to the minions, “Without the
devil’s rain, he has no hold over you.
Break the bottle!”
It may seem like I’ve told you the entire
story. I’m sorry, but I believe I
have. That’s about all that
happens. However, as I review Wikipedia
for plot points, it’s as if whoever wrote their article saw a different movie
than I did. There are details in that
summary that I just didn’t get by watching the movie and making my own
notes. I’d say they’re subtle points, but
nothing about The Devil’s Rain seems subtle to me.
Especially the ending… The effect of Corbis’s acolytes melting in the
rain is quite spectacular. However,
there are 10 full minutes of it and that is just too much. How many different ways can we look at
people’s faces dripping off their bodies, as if a hose is washing away clay? It’s indicative of the entire movie: what
could have been done briefly is stretched out three times longer than
necessary.
This is a real disappointment considering that
The Devil’s Rain was directed by Robert Fuest, who also directed one of the best
movies I’ve discussed this month, The Abominable Dr. Phibes. It took three writers to come up with this
mess, so let’s blame Gabe Essoe, James Ashton and Gerald Hopman. There aren’t many credits to their names and
I bet there’s a reason for that.
Tomorrow: Godzilla vs. Megalon!
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